site analytics
Sonnets of War and Mankind | STACY GARROP • COMPOSER

Sonnets of War and Mankind

I. See how these masses mill and swarm
II. Epitaph for the Race of Man


SATB (div.) a cappella

Volti; Robert Geary, conductor

Edna St. Vincent Millay



Inkjar Publishing Company
Click here to email Inkjar for purchasing options

Click here

Edna St. Vincent Millay (1892-1950) was an American poet who produced a great body of work in her lifetime. Among her works are several books of poetry, essays, plays, an opera libretto, and over two hundred sonnets. The sonnets cover a vast range of topics including love, loss, beauty, music, death, war, science, legendary figures, and the end of humanity. Beautifully constructed, I find that many of Millay’s sonnets are well suited to be set to music. From 2000-2006, I set sixteen of her sonnets for a cappella choir, arranged into six sonnet sets.

Sonnets of War and Mankind ruminates on Millay's thoughts of war and what will lead to the end of man.

1. See how these masses mill and swarm
See how these masses mill and swarm
And troop and muster and assail:
God! --- We could keep this planet warm
By friction, if the sun should fail.
Mercury, Saturn, Venus, Mars:
If no prow cuts your arid seas,
Then in your weightless air no wars
Explode with such catastrophes
As rock our planet all but loose
From its frayed mooring to the sun.
Law will not sanction such abuse
Forever; when the mischief's done,
Planets, rejoice, on which at night
Rains but the twelve-ton meteorite.

2. Epitaph for the Race of Man
Here lies, and none to mourn him but the sea,
That falls incessant on the empty shore,
Most various Man, cut down to spring no more;
Before his prime, even in his infancy
Cut down, and all the clamour that was he,
Silenced; and all the riveted pride he wore,
A rusted iron column whose tall core
The rains have tunnelled like an aspen tree.
Man, doughty Man, what power has brought you low,
That heaven itself in arms could not persuade
To lay aside the lever and the spade
And be as dust among the dusts that blow?
Whence, whence the broadside? whose the heavy blade? . . .
Strive not to speak, poor scattered mouth; I know.